﻿WEBVTT

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<v Announcer>New Kung Fu Kenny!</v>

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<v Narrator>Before 2012, Kendrick Lamar had released</v>

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his well-received debut Section.80, had Dr. Dre

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firmly on his side and landed on XXL's Freshman List.

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But it took good kid, m.A.A.d city,

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a series of inward-looking reflections

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on the oppressive uncertainties of living in Compton,

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to catapult Lamar into stardom.

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Its follow-up, To Pimp A Butterfly,

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was a dense, jazz and G-funk provocation

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that solidified his reputation as an ambitious artist.

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After releasing two of the decade's

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most popular and critically acclaimed rap albums,

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expectations for his fourth LP were sky-high.

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How would a radio-friendly, but overtly political rapper

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respond to an era of police killings on TV

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and Donald Trump in the White House

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with an album that's less obtuse than To Pump A Butterfly

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and more righteous than good kid, m.A.A.d city?

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♪ Damn. ♪

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♪ This what God feels like, huh, yeah ♪

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♪ Laughin' to the bank like, "Ah-ha!" ♪

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DAMN. features some returning Butterfly contributors

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like bassist Thundercat and saxophonist Kamasi Washington,

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but overall it's far less indebted

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to jazz than its predecessor.

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Instead, Lamar tackles the sound of commercial radio rap

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with assistance from trap superstar Mike WiLL Made-It.

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The lead single, "HUMBLE.," was the first clue

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to Kendrick's stylistic pivot.

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♪ Nobody pray for me ♪

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♪ It's been that day for me ♪

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♪ Way, yeah, yeah ♪

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Mike WiLL originally wrote the beat with Gucci Mane in mind

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but passed it along to Lamar, believing its West Coast feel

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would be appropriate for the Compton rapper.

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To complement Lamar's less-than-humble lyrics,

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video director Dave Meyers created

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a universal grandiose imagery,

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including a recreation of Da Vinci's "The Last Supper."

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♪ Hol' up, bitch, sit down ♪

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♪ Hol' up, hol' up, hol' up ♪

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♪ Be humble ♪

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♪ Hol' up, hol' up ♪

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♪ Sit down, be humble ♪

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In creating "DNA.," Lamar rapped the second half of the song

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a cappella before hanging it off to Mike WiLL

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and asking him to make a beat that sounded like chaos.

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♪ Sex, money, murder, these are the breaks ♪

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♪ These are the times, level number 9 ♪

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♪ Look up in the sky, 10 is on the way ♪

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♪ Sentence on the way, killings on the way ♪

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♪ Motherfucker, I got winners on the way ♪

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"DNA." introduces listeners to Kendrick's

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alter ego, Kung Fu Kenny.

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The character was inspired by

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Don Cheadle's role in Rush Hour 2.

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<v ->I'ma whoop your ass.</v>

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And then I'ma whoop your ass.

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♪ I got, I got, I got, I got realness ♪

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<v Narrator>Although the actor,</v>

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who appears in the DNA. video,

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didn't realize the connection until Lamar

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unveiled a short film at Coachella entitled,

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"The Damn Legend of Kung Fu Kenny."

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Lamar said that Juvenile's 400 Degreez

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is one of his favorite albums,

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and on "ELEMENT." he paid homage by borrowing

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the New Orleans rapper's choppy flow.

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♪ Niggas thought they wasn't gonna see me, huh? ♪

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♪ Niggas thought that K-Dot real life ♪

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♪ Was the same life they see on TV, huh? ♪

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After the song had been mastered

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its producers decided it sounded too jazzy,

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so they changed the drums and at the last minute

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incorporated a piano loop James Blake had sent to Lamar.

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Along with Jonas Lindstroem, Lamar and Dave Free,

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a.k.a the Little Homies, directed a video for the song

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that recreated photos by Gordon Parks,

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who, during the mid-twentieth century,

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documented discreet moments of black life in America.

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♪ I pull out, hop out, air out, made it look sexy ♪

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♪ They won't take me out my element ♪

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♪ Nah, take me out my element ♪

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According to guitarist Steve Lacy,

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his contribution to DAMN. was recorded on his iPhone

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during a session with frequent Lamar collaborator Anna Wise.

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♪ Hell-raisin', wheel-chasin', new worldly possessions ♪

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♪ Flesh-makin', spirit-breakin', which one would you lessen? ♪

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Lacy played Lamar the track during a break in the studio.

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Months later, the rapper alerted Lacy via text message

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that PRIDE., originally titled Wasn't There,

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had made the final track list.

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♪ Maybe I wasn't there ♪

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On an album full of well-worn rap samples,

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like 24-Carat Black's "Poverty's Paradise"

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and the Fatback Band's "Let the Drums Speak,"

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one sample in particular stands out,

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Bruno Mars' "24K Magic,"

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whose vocorder riff is the cornerstone for "LOYALTY."

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♪ Tonight ♪

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[Bruno Mars' "24K Magic" plays]

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While co-produces Terrance Martin, Dahi and Soundwave

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tweaked the track's drums, Lamar told them,

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"I'ma get Rihanna on this."

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To their surprise, he did.

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♪ Bad girl RiRi now ♪

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♪ Swerve, swerve, swerve, swerve, leave it now ♪

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A far more unexpected presence on the album

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than one of pop's biggest stars

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was a group of Irish rockers.

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When Lamar tweeted the artwork and track list for DAMN.,

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three days before the album's release,

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there was widespread wariness about U2's credit on "XXX."

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It was a feeling shared by Mike WiLL Made-It.

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Though he'd met Bono at Jimmy Iovine's house,

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Will wasn't told about the superstar's involvement

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until after he turned in the instrumental.

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♪ It's not a place ♪

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♪ This country is to me a sound ♪

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♪ Of drum and bass ♪

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After about a year of working with manager

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Anthony "Top Dawg" Tiffith, who he met when he was 16,

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Lamar brought his father, Ducky, to meet him.

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The men realized that, in their younger years,

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Tiffith would frequent and once rob the KFC Ducky worked at

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across the street from Watts Nickerson Gardens.

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Over 9th Wonder's beats, "DUCKWORTH."

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details Ducky's strategy to avoid getting murdered.

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Free chicken and two extra biscuits

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every time Top Dawg showed up.

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♪ Ducky was well-aware ♪

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♪ They robbed the manager and shot a customer last year ♪

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♪ He figured he'd get on these niggas' good sides ♪

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♪ Free chicken every time Anthony posted in line ♪

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♪ Two extra biscuits ♪

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Two months after the release of DAMN.,

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Lamar admitted that it was his favorite in his discography.

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"I think DAMN. is a hybrid of all these projects," he said.

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"It's the message behind To Pimp A Butterfly,

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the sonics, the beat-slapping on good kid,

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and the rawness of being able to do

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what I want on Section.80."

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♪ I got, I got, I got ♪

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His mother agreed, telling him in an emoji-laden

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text message, "This your best one to me, no bullshit."

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[Kendrick Lamar's "HUMBLE." plays]

