WEBVTT
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Don't let him pull his badge.
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[camera shutters]
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Baby Bing, headed your way.
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Oh!
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[electronic sounds]
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Hey, my name is Rhonda Glover Reese.
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[dings]
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Rhonda served in the FBI for over 34 years.
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She's now a law enforcement consultant
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and certified career coach.
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Today, I will be breaking down clips from movies
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and television, about surveillance.
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Blowing cover, Donnie Brasco.
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Jesus, Joe, that's Home and U.S. Attorney, coming at us,
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the guy on the right.
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Joe Pistone?
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Joe Pistone, remember me, from southern district?
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[beeps]
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[punches loudly]
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In watching that clip, it just took me back,
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when I was working as an undercover agent.
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Joe trained me.
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He's a legend, in the bureau, as a undercover.
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Hey, what are you doing?
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He grabbed my [beep]
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The key thing is to understand, is that when a uncover
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agent is in a role, they have to continue in that role,
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as much as possible.
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What he did, in the film, hitting that
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assistant United States Attorney, that was fine.
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[punches loudly]
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He's building a case, and he was able to maintain his role,
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without giving up his cover.
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Don't call me Joe again, I'll cut your [beep] throat,
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do you understand?
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If that undercover agent is in another role,
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and he has another name, then, you call them by that name.
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So, what happened, in that clip, was completely appropriate.
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Forget about it.
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Following the family, The Sopranos.
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[hip hop music]
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Unit One, this is Control, Baby Bing, headed your way.
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Unit Five, do you have visual contact, of Princess Bing?
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Roger, Control.
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They are going into the house, so, they wanna make sure
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everybody's out the house.
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They wanna know where everybody is.
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Unit Four, in approximately one minute,
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you'll have the maid, gray Jetta, SE Team,
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the location reads secure, you have one hour and 30 minutes.
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It is incredibly important,
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for the agent that was in the van.
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Baby Bing, headed your way.
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That agent had the eye, that agent had the responsibility,
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to really monitor who's coming in and out.
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It was important, for him to stay focused.
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You wanna have all the tools, that you need to have,
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in your car.
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Unit Two, you've got Bada Bing headed your way.
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Excuse me.
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You wanna have your food, you wanna have your snacks.
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You wanna have everything charged up, the radio charged up.
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You want your phone charged up.
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You wanna have your surveillance kit,
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that's what I like to call it.
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You know, you want to have your go bag,
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in the event that you're gonna be sitting,
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for a long, long time.
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Control, we are working on entry,
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we estimate three to four minutes.
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I've been on kidnapping investigations,
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where the surveillance is like, 24 hours.
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Furio Giunta Cadillac DTS returning.
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It went past me, up the street, about five minutes ago.
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So, when you're doing a surveillance, you take
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surveillance notes, and you have a log.
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So, in that log, you wanna indicate who left,
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where they're leaving from and the time,
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that they're leaving.
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All the information that you need, to give you a clear
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picture, of the movement of whoever you are surveilling.
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We're finished for the day, here, ladies and gentlemen.
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Cover story, Miss Congeniality.
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Hey, hey, hey, hey.
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[screeching]
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Oh, Jesus Christ!
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[gasps]
[grunts]
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Sorry, I had a bite of my bagel and I forget to prey.
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Sandra Bullock, in her character, she was incredibly
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quick, on her feet, to come up with that quick prayer.
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It's not working.
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What do you mean, it's not working?
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It's not working.
It was working,
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five minutes ago.
Yeah, it was
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working before.
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The listening devices and the earpieces
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and all of those things, should be checked
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and double checked, before actually using them.
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Oh, dear Jesus.
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Throughout the film, they've looked at her,
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as being a little different.
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So, by doing something like that, that was just
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totally in character.
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She thinks I'm funny.
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And I applaud her, for thinking so quickly, on her feet.
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Please forgive me, for not praying, before I had a bite
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of my bagel and schmear.
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Well, it worked.
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[laughs]
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It worked for everybody in the room.
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Thank you, very much.
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Amen.
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Front and follow, The Wire.
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We're gonna play that spy game,
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do you remember the spy game?
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Yeah, who's it?
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That tall, black guy, over there.
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I'm the front, you're the follow.
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Front and follow is just a surveillance technique.
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You'll have someone in front of the subject,
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that you're surveilling, and you'll have someone in back.
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[chattering]
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They're really spot on, but one thing that I
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really picked up on, the older brother.
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[car engine]
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He got a little bit close, to someone seeing him
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write down the license plate number.
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Shawn, shush.
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When you're doing a surveillance, you must be very,
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very discreet, because you don't want people to see
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who you're following.
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And then, you don't want anyone to see that you're
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writing down tags.
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Now, you probably should not use your kids,
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to do police work, but they did a okay job.
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My flesh and blood.
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Back story, Imperium.
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I was in the Marines, for three years,
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on a WMD Squad, in Iraq.
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And I'm starting to wonder.
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No.
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In this clip, Daniel Radcliffe is preparing
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to infiltrate a white supremist group.
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I was in the Marines, for three years,
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on a WMD Squad in Iraq.
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[door creaks]
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But I saw a lot of things, over there,
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that changed me.
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He's on his way, to being a very, very good undercover.
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He was coached, before he went in.
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Not bad.
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He's got a new identity, he's got a new place to live.
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[intense music]
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You're gonna be next to the subjects and the targets,
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of that investigation.
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You're gonna be right in the thick of things,
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and so, you want to have as much information, as possible.
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And if that means doing an incredible amount of research,
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then you need to do that, so you can be prepared,
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so you don't get tripped up.
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[tattoo gun buzzes]
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The key thing is that, he has to be mindful
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of who he is, on the inside, and remember that he is
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playing a role.
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And not to get too deep, into that role,
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that he loses himself.
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That's why it's important, that the handlers,
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the agents that are going to be working with him,
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that they watch over him and make sure that he's okay.
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I'm only so hard on you, because I'm trying
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to protect you.
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Recording device, The Informant!
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We need some specific number.
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Well, what would you be willing to accept?
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Isn't that really the question?
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The ADM has already eaten all the growth.
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In this clip, Matt Damon's character is really
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messing with the recording device.
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We could be growing 20,000 tons.
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I'm going in, we gotta shut this down.
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Wait, hold on.
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I need your input.
I think he's got it.
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In real life, he would would not have access to it.
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All he or she needs to know, is that they're
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gonna carry this in, and this is gonna be with them.
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They don't need to know how it works.
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They don't need to be touching it, they don't need to be
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doing anything with it, at all.
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They're not gonna be able to take apart a brief case,
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and touch the device, because they're tampering with it.
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No, Martin, no.
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You wanna be able to say, in a court of law,
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that that source didn't have anything
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to do with the recording apartis.
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I'm sure he's gonna love that.
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You don't want to even have to address that question.
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This can all be used against you, in a court of law.
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Educating rookies, In Too Deep.
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You the new kid on the block,
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you gots to earn your stripes, baby.
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Make me proud.
All right.
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No problems, show me where the kid at.
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Omar Epps, in his character,
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serving as an undercover officer,
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acting in that undercover capacity,
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he did a great job.
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Because he knew that he was being tested.
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What they really want to prove
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is that you're not a cop.
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You know, he's a police officer, so he knew
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he had to come up with a way, that he could show them
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he would do whatever he needed to do, to demonstrate
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to the guys that he was part of them.
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[gunshots]
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You aint hit him yet?
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[gunshots]
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He must know how to shoot very, very well,
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because he ensured that he was firing that weapon
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very, very badly.
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[yelling]
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He's intentionally counting his rounds,
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and they're just like, "man, you can't shoot."
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You can't shoot worth nothing!
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Yo, I had the kid right there, man.
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But my boy got crazy heart.
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You know, he's crazy, he can't shoot, you can't ask
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him to shoot, because he's not gonna get it done.
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Agents and officers, when they are acting
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in an undercover capacity, there may come a time,
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where they may have to break the law,
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but they're going to have to have permission,
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in order to do that.
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Your life depends on a split second decisions.
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That was a really good scene,
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for him to demonstrate that you can still be part
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of the group, in an undercover capacity,
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and not get anyone hurt.
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Is that playschool enough, for you to understand?
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Shaking the tail, Casino.
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You see, if a phone's tapped, the feds
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can only listen in on the stuff involving crimes.
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So, on routine calls, they have to click off,
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after a few minutes.
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Robert De Niro's character was
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talking about minimization.
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You have to be very, very careful
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and very, very intentional, when you're doing a wiretap.
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[clicks]
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Yeah.
Meet me at 3.
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Anytime anyone's on that phone, and they're talking about
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anything outside of the criminal activity,
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that's taking place, you are supposed to turn
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that recording off.
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I'm gonna do some shopping afterwards, you wanna go?
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[clicks]
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And so, they wait a few minutes, and then,
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they turn the recording back on.
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[laughs]
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They're checking in, on that conversation, to make sure
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they continue to talk about things that are non pertinent.
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Okay, he's out, Ground Unit.
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In looking at that scene, when the agent
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was in the window, and he had this huge, massive radio,
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I'm just grateful, that I didn't have to deal
265
00:10:55.540 --> 00:10:59.233
with a huge radio, like that, during surveillance.
266
00:10:59.233 --> 00:11:00.860
[rock music]
267
00:11:00.860 --> 00:11:02.250
Nicky couldn't even go for a ride,
268
00:11:02.250 --> 00:11:04.210
without changing cars at least six times,
269
00:11:04.210 --> 00:11:06.050
before he could shake all his tails.
270
00:11:06.050 --> 00:11:06.996
And because of all the planes,
271
00:11:06.996 --> 00:11:09.470
he had to use underground garages.
272
00:11:09.470 --> 00:11:12.530
Joe Pesci's character is really trying to shake the FBI.
273
00:11:12.530 --> 00:11:15.378
He knows that he's being followed, the FBI knows that he's
274
00:11:15.378 --> 00:11:17.590
incredibly surveillance conscience,
275
00:11:17.590 --> 00:11:19.210
so they're gonna be mindful of that.
276
00:11:19.210 --> 00:11:21.520
One thing, that Joe Pesci's character can't,
277
00:11:21.520 --> 00:11:23.630
he cannot do, is change his face.
278
00:11:23.630 --> 00:11:28.630
[rock music]
279
00:11:29.280 --> 00:11:30.810
He's driving all these cars,
280
00:11:30.810 --> 00:11:34.263
he's switching to all these cars, but it's still him,
281
00:11:34.263 --> 00:11:35.637
in these cars.
282
00:11:35.637 --> 00:11:37.280
[tires screech]
[rock music]
283
00:11:37.280 --> 00:11:39.693
So, while Joe Pesci is doing his best,
284
00:11:39.693 --> 00:11:42.690
to evade surveillance,
285
00:11:42.690 --> 00:11:45.720
the FBI is doing their due diligence.
286
00:11:45.720 --> 00:11:47.585
I see you, you [beep].
287
00:11:47.585 --> 00:11:51.120
First contact, BlacKkKlansman.
288
00:11:51.120 --> 00:11:51.953
Yeah, who's this?
289
00:11:51.953 --> 00:11:53.693
Ron Stallworth, here.
290
00:11:53.693 --> 00:11:55.973
This is Walter, returning your call,
291
00:11:57.920 --> 00:11:59.520
from the organization.
292
00:11:59.520 --> 00:12:00.716
The organization?
293
00:12:00.716 --> 00:12:02.807
With your first contact, you definitely wanna use
294
00:12:02.807 --> 00:12:07.807
a phone that is not connected to the law enforcement agency,
295
00:12:07.930 --> 00:12:08.940
that you work for.
296
00:12:08.940 --> 00:12:10.000
That's one thing.
297
00:12:10.000 --> 00:12:11.363
That's your real name, right?
298
00:12:11.363 --> 00:12:13.110
Isn't it Ron Stallworth?
299
00:12:13.110 --> 00:12:14.560
Right, isn't that his real name?
300
00:12:14.560 --> 00:12:17.380
Secondly, you do not wanna use your real name.
301
00:12:17.380 --> 00:12:18.213
Mother[beeps].
302
00:12:18.213 --> 00:12:20.520
You don't wanna use anything, that's gonna tie you
303
00:12:20.520 --> 00:12:22.560
back to law enforcement.
304
00:12:22.560 --> 00:12:23.672
I'm interested in receiving some reading
305
00:12:23.672 --> 00:12:25.047
materials from you.
306
00:12:25.047 --> 00:12:26.920
[phone rings]
307
00:12:26.920 --> 00:12:29.880
It was very, very clear, that he was just taking a chance.
308
00:12:29.880 --> 00:12:32.407
He didn't think anybody would call him back.
309
00:12:32.407 --> 00:12:34.140
What's your story?
310
00:12:34.140 --> 00:12:37.290
So, now, he's gonna have to remember everything
311
00:12:37.290 --> 00:12:41.450
that he said, because it very well can actually come back,
312
00:12:41.450 --> 00:12:43.690
sometime during the investigation.
313
00:12:43.690 --> 00:12:47.360
Well, since you asked, my sister, Pamela,
314
00:12:47.360 --> 00:12:48.720
she was just recently accosted.
315
00:12:48.720 --> 00:12:51.970
The point, here, is that you have to be ready.
316
00:12:51.970 --> 00:12:54.650
You've gotta get ready, to be ready, because you never know
317
00:12:54.650 --> 00:12:55.830
when they're gonna call.
318
00:12:55.830 --> 00:12:57.980
Well, good luck, Ron, with your new redneck friend.
319
00:12:57.980 --> 00:13:02.420
Raid gone wrong, Point Break.
320
00:13:02.420 --> 00:13:05.045
Scooby, come on, Scooby.
321
00:13:05.045 --> 00:13:06.902
Here, Scooby.
322
00:13:06.902 --> 00:13:07.735
Scooby?
323
00:13:08.668 --> 00:13:09.501
Oh!
324
00:13:09.501 --> 00:13:10.334
Yeah, what?
325
00:13:10.334 --> 00:13:11.770
Hi, oh [laughs].
326
00:13:11.770 --> 00:13:15.170
This was, no, you wouldn't, no.
327
00:13:15.170 --> 00:13:17.110
Have you seen my dog, I've got a little dog, I'm missing.
328
00:13:17.110 --> 00:13:17.943
It's a cockapoo-like thing, he's got his nose-
329
00:13:17.943 --> 00:13:19.230
I don't know anything about your dog.
330
00:13:19.230 --> 00:13:20.560
He's just not convincing.
331
00:13:20.560 --> 00:13:24.170
If you're gonna have someone show up and take on
332
00:13:24.170 --> 00:13:26.450
that type of role, you don't want them
333
00:13:26.450 --> 00:13:28.580
to be like Gary Busey.
334
00:13:28.580 --> 00:13:29.413
Well, is there anybody else?
335
00:13:29.413 --> 00:13:30.489
There aint nobody else, just get the.
336
00:13:30.489 --> 00:13:32.696
They're gonna be very, very humble
337
00:13:32.696 --> 00:13:35.170
about looking for their dog.
338
00:13:35.170 --> 00:13:36.964
Okay, here's how it is, Babbit and Alvarez
339
00:13:36.964 --> 00:13:38.133
are gonna go in the back door.
340
00:13:38.133 --> 00:13:39.492
Cullen's gonna back me up.
341
00:13:39.492 --> 00:13:42.360
I want you in the side window, by the hedge.
342
00:13:42.360 --> 00:13:44.188
Having a raid, in the middle of the day,
343
00:13:44.188 --> 00:13:47.978
is not the optimum time, to conduct a raid.
344
00:13:47.978 --> 00:13:50.280
[engine roars]
345
00:13:50.280 --> 00:13:52.522
People are up, people are moving around,
346
00:13:52.522 --> 00:13:54.580
you're gonna make sure that the gentleman,
347
00:13:54.580 --> 00:13:58.381
that is mowing the lawn, that he is secure
348
00:13:58.381 --> 00:14:00.567
and he is out of the way.
349
00:14:00.567 --> 00:14:04.487
[intense music]
350
00:14:04.487 --> 00:14:07.450
Cullen, this is Utah, get Angelo out of there.
351
00:14:07.450 --> 00:14:08.818
They're pulling out a [beep] arsenal.
352
00:14:08.818 --> 00:14:10.970
Utah, repeat, say again.
353
00:14:10.970 --> 00:14:15.549
Four agents is not enough, to address the subjects,
354
00:14:15.549 --> 00:14:16.549
in that house.
355
00:14:16.549 --> 00:14:18.440
[screams]
[gunshots]
356
00:14:18.440 --> 00:14:21.100
Then, you have Keanu Reeves, he doesn't even have
357
00:14:21.100 --> 00:14:22.100
a raid jacket on.
358
00:14:22.100 --> 00:14:23.490
What a flick.
359
00:14:23.490 --> 00:14:28.490
You need everyone fully identified, as FBI agents.
360
00:14:28.688 --> 00:14:31.953
[gunshots]
[screams]
361
00:14:31.953 --> 00:14:32.851
FBI, drop it!
362
00:14:32.851 --> 00:14:33.753
[beep] you!
363
00:14:33.753 --> 00:14:34.980
[gunshot]
364
00:14:34.980 --> 00:14:37.450
You're gonna have SQUAT, you're gonna have
365
00:14:37.450 --> 00:14:41.200
some heavy fire power, to back your team up,
366
00:14:41.200 --> 00:14:42.580
the best way possible.
367
00:14:42.580 --> 00:14:44.609
The real cowboys, right, Batman and Robin?
368
00:14:44.609 --> 00:14:47.360
Wanting out, The Departed.
369
00:14:47.360 --> 00:14:48.540
I'm going [beep] nuts, man.
370
00:14:48.540 --> 00:14:50.420
I can't be someone else every [beep] day.
371
00:14:50.420 --> 00:14:51.980
It's been a year of this, I've had enough of this [beep].
372
00:14:51.980 --> 00:14:55.944
What happens, when a undercover officer or agent
373
00:14:55.944 --> 00:15:00.200
has demonstrated that they've had, just, too much,
374
00:15:00.200 --> 00:15:04.430
they wanna get out, then you have to be responsible,
375
00:15:04.430 --> 00:15:08.441
as a law enforcement officer, to get them out.
376
00:15:08.441 --> 00:15:10.182
Calm down, all right, most of the people, in the world,
377
00:15:10.182 --> 00:15:11.290
do it everyday.
378
00:15:11.290 --> 00:15:16.280
Mark Wahlberg's character was not helpful, one bit.
379
00:15:16.280 --> 00:15:18.110
Now, we're the only two people, on the face of this earth,
380
00:15:18.110 --> 00:15:20.180
that even know you're a cop.
381
00:15:20.180 --> 00:15:21.550
How about we just erase your file?
382
00:15:21.550 --> 00:15:23.026
He's saying that they're in charge,
383
00:15:23.026 --> 00:15:24.900
they're in charge of his life.
384
00:15:24.900 --> 00:15:27.650
That's not gonna make any undercover feel good,
385
00:15:27.650 --> 00:15:30.228
when you have somebody that's not supportive.
386
00:15:30.228 --> 00:15:31.950
That was a joke, come on.
387
00:15:31.950 --> 00:15:36.420
As a undercover, you could possibly start having
388
00:15:36.420 --> 00:15:39.443
all kinds of feelings, and your intuition may kick in.
389
00:15:39.443 --> 00:15:41.560
How are we gonna take Costello, huh?
390
00:15:41.560 --> 00:15:43.640
I mean, what's wrong with taking on any one of the
391
00:15:43.640 --> 00:15:45.860
million [beep] felonies, that you've seen him do,
392
00:15:45.860 --> 00:15:47.230
or I've seen him do?
393
00:15:47.230 --> 00:15:49.560
But the bottom line is, that you have to have evidence.
394
00:15:49.560 --> 00:15:52.430
You have to have the information, that supports
395
00:15:52.430 --> 00:15:53.810
what you're feeling.
396
00:15:53.810 --> 00:15:56.220
We are building a case, it takes time.
397
00:15:56.220 --> 00:15:57.253
You know that.
398
00:15:58.498 --> 00:16:02.590
Something's wrong, I'm telling you, something's wrong.
399
00:16:02.590 --> 00:16:06.050
Something is not right, and he can' put his finger on it.
400
00:16:06.050 --> 00:16:10.690
That is a clue, for the other officers
401
00:16:10.690 --> 00:16:13.870
to really support him and start asking
402
00:16:13.870 --> 00:16:16.232
those questions and start figuring it out.
403
00:16:16.232 --> 00:16:17.580
Yeah, maybe.
404
00:16:17.580 --> 00:16:20.165
Counter surveillance, Killing Eve.
405
00:16:20.165 --> 00:16:23.894
[tense music]
406
00:16:23.894 --> 00:16:28.894
[tense music]
407
00:16:29.850 --> 00:16:32.054
When looking at her skills, she was on point.
408
00:16:32.054 --> 00:16:36.054
[screeches]
409
00:16:37.849 --> 00:16:39.310
[footsteps]
410
00:16:39.310 --> 00:16:41.620
She slows down, so he could catch up.
411
00:16:41.620 --> 00:16:45.050
She knew that he was following her and so,
412
00:16:45.050 --> 00:16:46.574
she drew him in.
413
00:16:46.574 --> 00:16:48.780
[club music]
414
00:16:48.780 --> 00:16:51.390
Sometimes, you get tunnel vision, and you're not aware
415
00:16:51.390 --> 00:16:52.470
of your surroundings.
416
00:16:52.470 --> 00:16:56.160
And you're not mindful of who could be following you.
417
00:16:56.160 --> 00:16:58.958
Or what that person actually could be doing.
418
00:16:58.958 --> 00:17:02.150
[club music]
419
00:17:02.150 --> 00:17:04.089
He had no business, going into that club.
420
00:17:04.089 --> 00:17:06.200
[club music]
421
00:17:06.200 --> 00:17:08.589
It was just so populated, so many people,
422
00:17:08.589 --> 00:17:11.980
just dancing around and having a good time,
423
00:17:11.980 --> 00:17:13.280
and then it's loud.
424
00:17:13.280 --> 00:17:14.839
It's not a good place to be.
425
00:17:14.839 --> 00:17:17.760
[club music]
426
00:17:17.760 --> 00:17:19.677
[beep]
427
00:17:20.950 --> 00:17:23.070
The key thing is that you know the person,
428
00:17:23.070 --> 00:17:26.213
that you're following, you have some idea of who they are,
429
00:17:26.213 --> 00:17:27.459
what they're capable of.
430
00:17:27.459 --> 00:17:28.557
[club music]
431
00:17:28.557 --> 00:17:29.590
[grunts]
432
00:17:29.590 --> 00:17:32.320
And she was the victor, at the end.
433
00:17:32.320 --> 00:17:37.120
Recording a conversation, The Conversation.
434
00:17:37.120 --> 00:17:38.380
What do you think?
435
00:17:38.380 --> 00:17:40.818
I always think that he was once
436
00:17:40.818 --> 00:17:42.693
somebody's baby boy.
437
00:17:43.598 --> 00:17:46.723
And we're his, his father, all his uncles, now.
438
00:17:47.830 --> 00:17:48.663
Anyway.
439
00:17:48.663 --> 00:17:51.420
Surveillance vans, they're not just a Hollywood thing.
440
00:17:51.420 --> 00:17:54.963
They are still being used, to conduct surveillance.
441
00:17:57.470 --> 00:18:00.320
Gene Hackman's character, he was overdressed.
442
00:18:00.320 --> 00:18:02.025
He could have, at least, put on a jumpsuit,
443
00:18:02.025 --> 00:18:06.370
that has the business identified, on the jumpsuit.
444
00:18:06.370 --> 00:18:08.640
You know, you have to think about those things.
445
00:18:08.640 --> 00:18:10.630
Who's watching you, when you're watching?
446
00:18:10.630 --> 00:18:13.000
You wanna blend in as much as possible.
447
00:18:13.000 --> 00:18:14.440
You don't wanna stand out.
448
00:18:14.440 --> 00:18:15.640
And he stood out.
449
00:18:15.640 --> 00:18:17.490
What about second position?
450
00:18:19.861 --> 00:18:22.152
[electronic sounds]
451
00:18:22.152 --> 00:18:22.985
It's not so good.
452
00:18:22.985 --> 00:18:25.080
It is a possibility, for you to hear a conversation,
453
00:18:25.080 --> 00:18:26.173
from that far away.
454
00:18:28.080 --> 00:18:30.330
[electronic sounds]
455
00:18:30.330 --> 00:18:32.578
They had all these different vantage points
456
00:18:32.578 --> 00:18:36.210
and they had different people, in different places,
457
00:18:36.210 --> 00:18:38.332
they're gonna put all that together, so you can
458
00:18:38.332 --> 00:18:40.320
hear what's what.
459
00:18:40.320 --> 00:18:41.580
We heard you.
460
00:18:41.580 --> 00:18:42.740
Oh, did we hear.
461
00:18:42.740 --> 00:18:46.100
Informant, Law & Order:SVU.
462
00:18:46.100 --> 00:18:48.250
Hypnosis doesn't make people do something
463
00:18:48.250 --> 00:18:50.280
they don't already wanna do.
464
00:18:50.280 --> 00:18:53.660
So, if she kissed you, she wanted to.
465
00:18:53.660 --> 00:18:55.000
Sounds like he's rationalizing.
466
00:18:55.000 --> 00:18:58.370
The officers, of SVU, are using this informant
467
00:18:58.370 --> 00:19:00.850
to garner information, from this target.
468
00:19:00.850 --> 00:19:02.770
Did you teach Trask how to hypnotize people?
469
00:19:02.770 --> 00:19:04.464
I taught him everything I know.
470
00:19:04.464 --> 00:19:06.340
Well, are you willing to help us, now?
471
00:19:06.340 --> 00:19:09.560
The reason why law enforcement would get someone,
472
00:19:09.560 --> 00:19:13.213
that's close to that subject and ask them to help,
473
00:19:13.213 --> 00:19:16.439
because that target knows them very, very well
474
00:19:16.439 --> 00:19:19.140
and they're gonna drop their guard and they're
475
00:19:19.140 --> 00:19:21.077
gonna be able to share information.
476
00:19:21.077 --> 00:19:23.446
Come on, Declan, are you saying that you've used hypnosis,
477
00:19:23.446 --> 00:19:24.593
to have sex?
478
00:19:27.280 --> 00:19:28.320
It's not a big deal.
479
00:19:28.320 --> 00:19:31.831
But the key thing is, the person that law enforcement
480
00:19:31.831 --> 00:19:36.831
has asked to step up, it's, do they know how to do it?
481
00:19:37.080 --> 00:19:38.880
When's the last time you did this?
482
00:19:40.773 --> 00:19:43.510
And so, like, towards the end of that conversation,
483
00:19:43.510 --> 00:19:45.560
he gave that guys a side eye.
484
00:19:45.560 --> 00:19:48.576
He's looking at him like, "are you recording me?"
485
00:19:48.576 --> 00:19:49.760
I better go.
486
00:19:49.760 --> 00:19:54.010
You have to be very, very clear, to them, about how they
487
00:19:54.010 --> 00:19:56.110
should do it, the kind of things they should say,
488
00:19:56.110 --> 00:19:59.130
the things that they should not say, in order to
489
00:19:59.130 --> 00:20:01.630
have a conversation with a target.
490
00:20:01.630 --> 00:20:04.910
Look deep into my eyes, you're under arrest.
491
00:20:04.910 --> 00:20:06.877
Planning, The Heat.
492
00:20:06.877 --> 00:20:09.294
[soul music]
493
00:20:11.909 --> 00:20:14.230
[taps]
494
00:20:14.230 --> 00:20:17.370
Well, Sandra Bullock is playing a FBI agent.
495
00:20:17.370 --> 00:20:21.310
It appears that she is the team leader, on the execution
496
00:20:21.310 --> 00:20:24.093
of this arrest and search.
497
00:20:25.541 --> 00:20:27.936
Wait for my three count.
498
00:20:27.936 --> 00:20:31.370
And one, two, unbelievable.
499
00:20:31.370 --> 00:20:32.640
She's just out of line.
500
00:20:32.640 --> 00:20:34.600
She's not on the SWAT team.
501
00:20:34.600 --> 00:20:36.560
So, she's not gonna be close to SWAT.
502
00:20:36.560 --> 00:20:40.125
Allow the SWAT team to do what the SWAT team
503
00:20:40.125 --> 00:20:41.410
is there to do.
504
00:20:41.410 --> 00:20:43.090
And get out of their way.
505
00:20:43.090 --> 00:20:44.480
The place is clean, Ashburn.
506
00:20:44.480 --> 00:20:47.550
Looks like your theory has a few holes in it.
507
00:20:47.550 --> 00:20:48.490
Let's roll, boys.
508
00:20:48.490 --> 00:20:52.020
What's interesting, about Sandra Bullock's character,
509
00:20:52.020 --> 00:20:54.890
is that she is clearly someone that nobody
510
00:20:54.890 --> 00:20:56.230
wants to work with.
511
00:20:56.230 --> 00:20:57.440
So, you think it's clean, huh?
512
00:20:57.440 --> 00:20:58.430
Oh, here we go.
513
00:20:58.430 --> 00:21:01.017
I know that, as an agent, a former agent,
514
00:21:01.017 --> 00:21:03.740
I would not have wanted to work with her.
515
00:21:03.740 --> 00:21:04.930
You know, they loved these houses,
516
00:21:04.930 --> 00:21:06.170
during the prohibition era.
517
00:21:06.170 --> 00:21:08.450
People loved to drink, even though they weren't supposed to.
518
00:21:08.450 --> 00:21:10.310
And these houses had all these little nooks and crannies,
519
00:21:10.310 --> 00:21:11.706
where they could hide it.
520
00:21:11.706 --> 00:21:13.110
Like this one.
521
00:21:13.110 --> 00:21:15.180
She could have easily said, you know,
522
00:21:15.180 --> 00:21:18.060
you wanna look at this location, you wanna look here.
523
00:21:18.060 --> 00:21:20.233
She had that information, before she got there,
524
00:21:20.233 --> 00:21:22.311
that that's a possibility.
525
00:21:22.311 --> 00:21:24.940
And so, she could have shared that.
526
00:21:24.940 --> 00:21:26.814
Maybe these guys are all right, for a change.
527
00:21:26.814 --> 00:21:27.950
[laughs]
528
00:21:27.950 --> 00:21:29.670
Stranger things have happened, right guys?
529
00:21:29.670 --> 00:21:32.500
She knows what she's doing, but she's full of herself.
530
00:21:32.500 --> 00:21:34.410
And she's not a team player.
531
00:21:34.410 --> 00:21:37.460
You don't want to be that agent, where people don't wanna
532
00:21:37.460 --> 00:21:38.880
work with you.
533
00:21:38.880 --> 00:21:39.713
Let's go.
534
00:21:41.185 --> 00:21:42.040
[ding]
535
00:21:42.040 --> 00:21:42.926
Conclusion.
536
00:21:42.926 --> 00:21:46.610
You can tell, when they have someone, on staff,
537
00:21:46.610 --> 00:21:49.620
or that's part of the team, that they've got
538
00:21:49.620 --> 00:21:51.050
a law enforcement background.
539
00:21:51.050 --> 00:21:54.434
That they're able to share what you can do
540
00:21:54.434 --> 00:21:57.230
and what is real and what is not.
541
00:21:57.230 --> 00:22:00.373
And what's going to fly and what's going to make sense.