WEBVTT
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Ziggy, what have you got for me?
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[mysterious music]
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Theorizing that one could create
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a time-travel series set within his own lifetime,
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Don Bellisario created a groundbreaking television series,
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"Quantum Leap".
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Now nearly 30 years later,
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Don finds himself answering
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the unsolved mysteries of Dr. Sam Beckett's journey
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striving to put right what once went wrong
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and hoping each time
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that his next answer will be the leap home.
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[gentle techno music]
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Oh boy.
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Was Sam really leaping or was he imagining it all?
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Wasn't in Sam's mind.
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He was actually leaping.
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That's what I felt, anyway.
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It wasn't something he was imagining.
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It was real.
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What do people in the waiting room do
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while Sam is in their bodies?
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It's interesting to think about the waiting room.
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The waiting room came from a novel that I had read
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that had a waiting room in it,
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different sense of "Quantum Leap,"
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but in "Quantum Leap," people in the waiting room
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would be a little disturbed
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by what had happened,
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would not understand what was going on, of course.
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Their interactions with each other
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would have been interesting.
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I don't think that they know
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or remember anything that Sam felt
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when he was in their body,
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but I think that they leap back into their body
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and remember being in the waiting room
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and don't understand what has happened.
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At one point, I thought about
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maybe that's where all the stories come from about aliens,
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that people felt there were aliens when they came back.
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I think that when Sam leaps into someone's body,
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doing his thing, when he leaps back out
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and they are there left without Sam,
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they don't remember what Sam did,
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but they do have a sense of confusion
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about what's gone on with them
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during the time that the leap happened.
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It could drive somebody crazy,
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now that I think about it.
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When did you decide that Sam was married?
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Did adding Donna to the series
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create complications for the characters moving forward,
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besides me?
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Adding Donna created complications for Sam
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because suddenly he has a wife
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and that's complicated in itself.
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Donna was very much in love with Sam
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in a way he could do no wrong.
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She understood what was going on with his leaping.
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She wasn't very happy with him sleeping with other women,
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but she understood why.
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Sam was the love of her life
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and I think she went on and lived her life
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but she didn't hook up with anybody again, Sam was it.
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And I think she always hoped that Sam would return,
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but Sam was too busy helping other people
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than to help his own wife.
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What were your touchstones
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in designing the future?
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Lights in blue boxes
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and red boxes and yellow boxes [laughing]
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work very well for the future.
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The technology in the future was, of course,
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far in advanced of where we were.
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Sam designed "Quantum Leap," that was his baby.
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Al was part of it.
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You always have answers, Don.
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When designing the near future,
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why does everyone wear glowing lights?
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Well, it was the future.
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So you had to have something glowing,
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like here in front of me now.
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And in the very first episode Sam's accoutrements,
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I had some part of it glowing and flashing.
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We know Al spends much of his time
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covering for Sam.
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But when, or if the details ever got out,
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would the "Quantum Leap" project be considered a success?
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The government see it as a success?
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Well, they kept financing it.
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So it had to be successful to the government on some level.
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Al was very good at raising funds from Congress
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and he had to explain "Quantum Leap" to them
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on a level they could understand.
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And he had to put out some teasers
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that in "Quantum Leap" uncover something
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that would be very positive
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for the government and for the country.
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He kept on that track when he met with Congress
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and that's how he got the money.
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He was a good talker
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For $43 billion he could at least
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have altered the results of the last presidential election.
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I didn't tell any stories
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where he would radically change history
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because we know what goes on in history.
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And that would have been as if the show was a pure fantasy,
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which, I didn't want the audience to feel that way.
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I wanted the audience to feel
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that there really was Sam out there leaping through time.
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There were certain things,
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he could only leap into people that were ordinary.
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That was what we started off with, that rule,
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which I broke a couple of times later in the show.
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The reason he could only leap into his own lifetime
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was to make the show believable.
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I didn't want it one day he'd leap into Rome
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and Caesar's time.
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I didn't want that.
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I wanted every show to feel like it could really happen.
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And that's why it had to be contemporary.
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What kind of challenges did you face
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in producing a show that relied heavily on guest actors?
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The show was an opportunity to use a lot of actors.
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I never found that to be a challenge,
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I found it to be an opportunity.
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I liked the idea of being able
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to pull different actors in from the acting pool.
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The stories that we wrote gave us that opportunity,
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which I think was very positive for the show.
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Is it true that the format of the show
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was intentional and allowed you to use
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existing resources, sets, and costumes?
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Because we could leap into
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just about any place in any time
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we did use a lot of the sets that existed at Universal.
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We'd drive around and see a set and think,
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how can we put that into a story?
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And we did it quite often.
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It gave the show production values
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that it would normally have,
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using sets that had been paid for by another show.
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My favorite set was the bar.
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What d'ya got on tap?
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By the way, my dad had that bar,
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that bar was exactly replicated from the bar I was raised in
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until I was 18 years old and went off to college,
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including the beer taps, which were from my dad's bar,
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which was a real time trip for me,
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to be standing on that set
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as if I was standing at home 18 years or 20 years before.
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How controversial was it
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to produce the Lee Harvey Oswald episodes?
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First of all when I created the show
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I wanted to use ordinary people
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because if you use ordinary people,
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you can't, you're not changing history
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with somebody famous.
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But I got to the point where
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I wanted to do Lee Harvey Oswald,
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because I had served with Lee Harvey Oswald
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in the Marine Corps.
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And I knew Lee Harvey Oswald.
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There were so many stories about multiple shooters
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and multiple people behind it
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that I believe that Lee Harvey was the only guy that did it.
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And I knew that his type would react that way.
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So I decided to do the show.
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That episode was a little different for me
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because I started the same way I do any episode,
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I just start writing and something comes out,
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but here I knew I was going to use Lee Harvey Oswald,
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and I knew that he was going to
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kill Kennedy in his lifetime.
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So I had to work around all that.
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It was an interesting episode to write,
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dealing with somebody who actually lived,
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killed the precedents.
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Was the evil leaper storyline
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planned from the beginning?
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Evil leapers were only in, I believe,
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about three episodes.
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I didn't have any plans to continue them.
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They were put in an episode by another writer.
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And so I let it go on for the three episodes,
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but I never really felt comfortable with the evil leapers.
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That's just a personal thing.
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I don't know why I didn't feel comfortable with them,
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other than they were evil.
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So maybe I'm not too comfortable with that.
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It didn't feel the same as the other episodes to me,
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it felt different and it was different.
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And I don't know that it was different in a good way.
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Alia is not gone.
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What were some of your ideas
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for a potential season six?
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I didn't have a plan for season six.
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It was going to be the same thing,
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to tell all the stories that we could tell.
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"Quantum Leap" had the great ability
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to tell any kind of story.
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There was no a running line that you couldn't get away from,
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you have to just go with whatever story was being told.
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I just planned to do a lot more individual stories
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Was Bruce McGill intentionally cast
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in the series finale, "Mirror Image,"
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as a callback to the pilot episode, "Genesis Part I?"
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Bruce was an actor that I loved working with
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and I wanted to work with him again.
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And so that final episode I put Bruce in it.
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He was in the first one
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and put him in what turned out to be the last one.
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It was a, he's a delight to work with.
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Purely the producer's desire to have him in the show.
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How would you envision
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a modern reboot of "Quantum Leap?"
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I think if I did "Quantum Leap" today
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I'd do it just the same way I did it decades ago.
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I would tell the same type of stories,
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doing stories of individuals, their challenges.
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I would be able to use more sets from other shows
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and more modern sets,
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but it would basically be the same show.
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What made the show great was the stories
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and the interaction of the people,
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not the sets or the costumes or anything.
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How today's audiences would view the show,
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I don't think that view it any different
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than they did when we created it.
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It's the stories that were so good.
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And the people that I cast in the roles
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that made the show come alive.
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And I think the same thing would happened today.
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Wish I could do it again.
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I wouldn't serialize it.
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I got away from that.
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Never did it in the old show
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and I wouldn't do it in doing it again.
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I'd follow the same format.
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What happened to Sam after the finale?
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Will he live forever, leaping at will,
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or will he eventually die?
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If he dies, what happens to his body?
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I think Sam went on leaping through time.
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I don't think he ever went home.
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When that last episode ended
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and the show went off the air,
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fans were of two sections.
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One section was that Sam went on leaping forever.
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And the other section was that no, Sam leaped home
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and they wanted him to leap home.
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The fans have wanted him to leave home were upset with me.
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I got a lot of, not nasty,
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but I got a lot of negative letters from fans like that
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because I said that he went leaping on.
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Sam leaping on is the way the story has to go.
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Can't stop, it's his life work.
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He's making a choice to leap on
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because he has so many people to help,
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which every episode he helped somebody
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and he had to keep doing that.
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So he made a very conscious choice to keep leaping.
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He could have chosen to leap back home,
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he had that ability.
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I'd like to think that Sam could live forever
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but I doubt that would happen.
268
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I don't think anyone can live forever.
269
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So I think at some point his life had to come to an end
270
00:12:18.880 --> 00:12:21.640
but maybe along the way,
271
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Sammy Jo, daughter that he had,
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What's yours?
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Sammy Jo.
274
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There's a 91.9% chance
275
00:12:29.270 --> 00:12:33.040
that Sammy Jo Fuller is your daughter.
276
00:12:33.040 --> 00:12:36.690
She could take up the mantle and it would continue.
277
00:12:36.690 --> 00:12:40.330
She has an IQ of 194.
278
00:12:40.330 --> 00:12:42.690
So she got her brains from her father.
279
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Potentially I saw that,
280
00:12:44.190 --> 00:12:46.440
that Sammy Jo could take his place
281
00:12:46.440 --> 00:12:48.430
and it would be a different show,
282
00:12:48.430 --> 00:12:51.990
but she would keep leaping the same way that Sam did.
283
00:12:51.990 --> 00:12:53.700
But I couldn't have done it
284
00:12:53.700 --> 00:12:58.700
because Scott Bakula was so integral to the character
285
00:12:59.560 --> 00:13:02.020
and so important to the show
286
00:13:02.020 --> 00:13:03.840
that without him
287
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I don't think the show could have gone on.
288
00:13:06.720 --> 00:13:08.750
What do you think happened to Al
289
00:13:08.750 --> 00:13:10.890
when Sam was left leaping forever?
290
00:13:10.890 --> 00:13:12.000
Well, that's an interesting question.
291
00:13:12.000 --> 00:13:14.730
What happened to Al? [laughing]
292
00:13:14.730 --> 00:13:17.015
I hadn't thought what happened to Al.
293
00:13:17.015 --> 00:13:18.990
Dean Stockwell probably did.
294
00:13:18.990 --> 00:13:22.700
But I think Al would have been traveling along
295
00:13:22.700 --> 00:13:24.660
into the future along with him,
296
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would still be there as a sidekick.
297
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It would have to continue the storylines just as they had.
298
00:13:31.990 --> 00:13:36.820
Sam's connection to Al was like an umbilical cord.
299
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I don't think you could separate the two.
300
00:13:39.210 --> 00:13:42.030
Where Sam went Al would follow.
301
00:13:42.030 --> 00:13:44.393
Al wouldn't pass away, it's television.
302
00:13:45.470 --> 00:13:47.003
It's a dirty job,
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00:13:48.250 --> 00:13:50.450
but somebody's got to do it.
304
00:13:50.450 --> 00:13:52.460
Thank you for all the questions.
305
00:13:52.460 --> 00:13:56.640
Hopefully someday Dr. Beckett will return home,
306
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but probably not.
307
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"Quantum Leap," may it come back again.
308
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[bright music]