WEBVTT
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[music playing]
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Oh no, I cannot look.
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Sorry!
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[laughing]
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Hello everyone, I'm Diego Luna.
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I'm here to revisit some things of my career.
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Join me.
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[theme music]
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Listen, I've loved getting to know you.
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No, really. Sometimes you're real assholes,
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but in the end, you turned out to be
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a couple of awesome guys.
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"Y Tu Mama Tambien" is film directed by Alfonso Cuaron.
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I think I was 18 years old when I shot it
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and playing a little younger.
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It was just a wonderful experience, you know, for me.
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That scene you saw, it's a one shot scene.
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We did it so many times.
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It was so long also and it was shot in film.
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"Y Tu Tambien", there was no digital back then,
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or it wasn't, I mean, it was never an option.
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Lubezki had to carry a huge mag
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to have like the amount of film
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you need for a 10 minute shot
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and it was so heavy.
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I remember for him, it was, that was a problem
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and we were on sand.
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So it was very difficult to move with the camera.
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Gael, Maribel, and I are supposed to be very drunk
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and there's a music box
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at the end of the shot
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at the end of the place.
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She walks to the music box
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and plays the song that became iconic.
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Luisa!
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Luisa,
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To moms!
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[laughing]
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And she comes back dancing
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and they start dancing
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and that's where the threesome starts to happen, you know?
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They start dancing, the three of them
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and it's quite an iconic scene.
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Gladly, I love this scene
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and I'm happy to see it over and over.
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So this is basically the reason why I was
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so happy to play this role and so excited
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about the idea of being part of this universe
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because I thought it was so bold,
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so interesting
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so unique to have an ending like this, you know?
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And there's been a lot, I mean,
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I remember people saying we shot different endings,
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and just to be clear,
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the day I was offered this role I knew this was it.
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It was one film and I knew what the end was gonna be.
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And it's one of the things that excited me the most,
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that "Star Wars" was gonna do that, was gonna show
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what sacrifice means and was gonna go for it.
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[suspenseful music]
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Your father would've been proud of you, Jen.
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I thought he was very smart move,
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also, since the audience of "Star Wars," it's so wide.
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It's like it goes from my father to my son,
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basically there was a big chunk
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of the audience that has grown
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since the beginning of "Star Wars,"
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and this was a very mature,
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dark, interesting approach
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to Star Wars that
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I thought was needed as a fan
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and we were with this film,
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we were allowed to be different.
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It was a standalone,
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it had a beginning and an end,
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not like everything else in "Star Wars."
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I remember having to answer the question of like,
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"Oh, how does it feel,
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for how long are you gonna be in Star Wars?
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How many films you're gonna do?",
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and I just couldn't answer, you know?
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But I knew that was it.
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And in fact, it made complete sense
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that I was just there for one film.
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It's a language I speak, you know?
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It's like, "Okay,
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I'm committing for a film that has a beginning and an end
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that I'm gonna shoot,
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then promote, then release,
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and then watch as part of the audience again, you know?
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And that's it.
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It's over.
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It was really nice.
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Hey!
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What's the hurry?
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Got some place to be?
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Yeah.
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Not happy to see me,
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but no love for Nancy.
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No, I'm late.
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Oh, I know.
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I want my deposit back.
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I wish I could,
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but it's in play.
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Just waiting to hear.
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They're on site.
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Yeah, this is Andor.
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After everything I said about Rogue One, [laughs]
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I got a phone call. [laughs]
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I got a phone call from Lucas Film saying,
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"Would you be willing to explore the possibility of
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of revisiting the character
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and telling the story of his past,
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the background of Cassian?"
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I was really excited, to be honest.
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Besides going back to this universe
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and working with these people again,
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it made sense.
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For me,
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Rogue One is a film
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that is pretty much about an event,
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but you don't get to know where these characters come from,
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why they do what they do.
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What takes someone to be, to feel ready to
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sacrifice everything for a cost, you know?
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You're here with him.
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To what?
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To threaten me?
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You let him talk you into this?
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The subject is money.
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I just asked you a question.
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What?
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Since when do you take orders from Nurturer?
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Don't answer that.
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You need work this bad?
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Leave him out of it.
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You chose the scene
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with the most humor of "Andor"
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because it's a pretty dark show.
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This is just people surviving,
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and it's about,
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the whole show is about
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how the rebellion articulates.
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It's about the awakening of a revolution.
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This is Cassian a few years before
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when he doesn't know he's capable
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of doing what he does in Rogue One.
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We'll see the journey of a man that
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gets to be the guy you met in Rogue One.
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Hello, ugly.
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They're beautiful.
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How do you feel?
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Like I've been hit by a bus.
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Oh, come on, silly.
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Come, come, come sit with me.
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Look.
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So this is "Frida".
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That's Selma playing Frida.
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I play the the first boyfriend
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and the one that's with Frida
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when she has the accident.
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My aunt and my uncle are leaving for Europe
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and they invite me to come along.
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That's wonderful.
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When would you leave?
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Soon.
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I remember I was freaking out.
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It's not the first time I work in English,
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but it was one of the firsts
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and it felt weird because I mean, gladly
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the character was supposed to have an accent.
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In fact, it was a convention.
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I mean, the characters speak in English basically.
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I guess today there would be a lot of complaints
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if the film was in English, you know?
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I remember struggling with performing in English.
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It was really difficult to to really let go, you know?
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I remember doing so many tests for that film
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and I was so glad when they told me I was elected,
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and it was beautiful.
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Not just to work with Julie, but with Selma.
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It really became an important relation
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in my life 'till today.
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It was important
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and it was nice to do a film this big in Mexico
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and have all this talent there.
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So she had a boyfriend?
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Mmh.
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For how long?
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Two years?
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What happened?
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Eat shit.
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What?
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Eat shit.
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Eat shit?
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Eat shit.
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Eat shit, eat shit, eat shit.
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This is "The Terminal",
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directed by Steven Spielberg.
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Obviously, you can see that's Tom Hanks,
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I was just looking at it
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because this one, I haven't seen in a long time,
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and people remind me of this film a lot.
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I guess I felt really comfortable
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for the first time speaking in English
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because Tom was doing a more
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difficult accent to understand, basically.
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I guess it was also a film full of different accents,
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not just me.
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Like there was so many different accents,
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and it felt so right.
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One man.
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Uh-huh.
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Two womens.
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Uh-huh.
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So.
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Crowded, you know?
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We were doing a film
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that happens at this airport
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where people come from everywhere,
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and I guess it's justified.
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Also, it was a very important film
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because I was asked to be on a film by Steven Spielberg.
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All of that happened because of "Y Tu Mama Tambien".
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For me, that's really important to share, also,
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because I think people miss a lot of time
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trying to emulate the story of others
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instead of writing your own, you know?
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And your own can get you really far.
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I saw the documentary before doing the film,
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the documentary.
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The real story of this guy,
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which is so much darker
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than the film.
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It was beautiful to witness
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the process of of Steven Spielberg.
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I don't know if it's like that every time, but on that film,
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it felt like a kid playing, you know?
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A kid that had all the toys he wanted to play with
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which he totally deserves.
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For him it was just that you could feel that
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kind of like freedom on set
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of exploring and giving.
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Exploring with patience and that looseness
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it felt like a very joyful process.
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He cheats?
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Mm-hmm!
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You say he cheats?
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Shit, no, no, cheat?
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Enrique.
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You?
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No cheat.
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No cheat.
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No cheat.
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Yeah, yeah.
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I won't cheat, not shit.
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She's a nice girl.
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She won't take your shit.
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It was nice to go through that experience, also,
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because suddenly I was there in a huge, gigantic set.
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It reminded me that it was,
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again, about the the little stuff,
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the stuff that happens between the actors
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trying to create a moment.
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No matter how many toys were around
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and the production size and everything,
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at the end everything happened in a very simple way.
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Thanks for watching the scenes with me,
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and watch as much cinema as you can.